Stuff and Moonshine

China mourns British man “Old Dry Keith” made famous by his bland sandwiches: This reminded me of Arthur Dent becoming “The Sandwich Maker,” although Keith’s fans appear to have regarded his sandwiches with horror, and him with mildly ironic affection. Thing is, I watched a couple of the videos and those are just perfectly normal sandwiches (albeit on whole-wheat bread). Everyone keeps treating this like a “ha ha British food is terrible” story, but I think it’s more a “everything is exotic to somebody” story.

Meanwhile, for an actual UK eccentric, Ivor Cutler: Whose works could also be quite beautiful. His fans included the Beatles, who cast him as the bus driver in Magical Mystery Tour.

a_t_rain, Ceremonies for Civil Wars 


A particularly delightful goth xmas tree.

From the assortment of links an algorithm (I presume) places each day on my internet browser dashboard:

https://getpocket.com/explore/item/was-this-poem-written-by-a-computer-or-human?

Of the three pairs of poems quoted in the article, I guessed most of them wrong.

In the English version of one of the Tintin albums (I think it’s Red Rackham’s Treasure,) there’s a moment where the characters are in a small open boat, and Captain Haddock is cheerfully singing the chorus to “Maid of Amsterdam,” moments before a shark attacks one of their oars. But in the original, Haddock is quoting a bit of poetry, and through google I now know that he’s recalling “Le Lac,” by Alphonse de Lamartine, which is an interesting choice for a character who’s supposed to be a rough English sea-captain.

 

Un soir, t’en souvient-il ? nous voguions en silence;
On n’entendait au loin, sur l’onde et sous les cieux,
Que le bruit des rameurs qui frappaient en cadence
Tes flots harmonieux. (SHARK BITE)

 

https://www.frenchtoday.com/french-poetry-reading/poem-le-lac-lamartine

We've been watching old bootleg copies of Vengeance Unlimited by way of escapism, and Andrew dug up his copies of Michael Madsen's poems, which are exactly as gonzo as you'd expect them to be; he's really determined to be beater than Beat and noirer than noir.

The Read Thru

When you make a bad film, it's there
Forever.
Like a big 250 ft. Herpe, with two
legs, and two arms and a big ugly
head always showing up when you
least expect it. Walking up
behind you; walking toward you,
with an "I'm gonna f*ck you up"
look on its face.

Everyone sees the damn things.

Over and over. Your friends, your
enemies, strangers. That's never true for the good films
you have, if there are some.

Anyway.

This big, swollen, red, festering
rotting 250 ft. pus vessel has
big feet, too. In a nightmare, they'll
be the last thing you see coming
down to smash your f**k**g head.

Sometimes, it's saying, "Hey, I'm not so bad."
But you know the truth.

sovay's post today (probably safe for work, unless your workplace is opposed to photos of bare-chested men in ponds) made me finally dig up my attempt, years back, to write up Apollo and Hyacinthus as a libretto for a possible one-act chamber opera (what can I say, I had a crush on a gay composer at the time, this was all I could do to catch his eye), and see how badly it sucked. I've had to guess where I meant most of the original line-breaks to go, but if you want to see my twenty-something self's angsty poetry, Cthonic Youth lies below the cut:
( Read more... )
Cthonic Youth
by S. E. Ennals, 1999

for Mike


Hyacinthus' Song

Hyacinthus: (Alone on stage)
I am lucky over all men, for I am beloved of the sun.
On me his eyes delight —his darling, his lovely one.
I cannot wait till he comes back again —
I’m up, dressed, waiting now, though it’s still night.
He’s promised me the second sight and taught me many things:
Music of strings, of spheres
and, now and then, of numbers.
How could I stay in bed and sleep till day,
when in my head all this is going ‘round like the sound of flies’ wings?

Flies’ wings?
Funny way to talk of a god and his favours,
but all the same, they do go ‘round, my thoughts,
and hum an insect tune,
some strain not in a major key or a happy vein.
I know this can but end in ill.
I do not need his gift to tell that it can’t last. When the Fates cast me to him
they did not mean well.
For he is a thing of gold; light runs in his veins;
while I must grow old, he cannot change.
What will he do, poor god, when I am gone and he remains?
Will Earth wake up some day frozen cold?
Or will days cease, when I am gone?
Or will he carry on?

Perhaps it will not end like that.
Perhaps, some bright day, he
will find me dull and cold to him.
Perhaps his love for me
with time will dim.
For he is bright day, merciless to age;
a man might love a mayfly, or a cricket in a cage, soon as a god love a mortal.
Should I leave him then?
Where could I hide from that piercing eye?
I’d be found out —
and to face him, when he looked in doubt at me, and sighed, and asked me why?

Although I know this can’t go on,
I sit here, waiting for the dawn to bring the love I soon will lose, my fair shining one.

(Enter Apollo)

Apollo: Sweet flowering mortal lad, welcome the light!
Hyacinthus: Love?
Apollo: Even in heaven, how the nights are drear,
but now that morn unveils the earth to sight
and with it you, my own — why, heaven is here!
Hyacinthus: Lord!
Apollo: Don’t kneel. Fear not the warmth of my embrace.
These arms shall hold you close — don’t tremble so --
Hyacinthus: O God!
Apollo: These fingers comb the hair back from your face...
Hyacinthus: O your mouth...
Apollo: and make room on your brow, for my lips to go...
Hyacinthus: Your eyes are so bright.
Apollo: To look upon you, dear, is all my joy.
Hyacinthus: I waited for hours till you came.
Apollo: Such a soul, to such a body framed —
A god might love here without fear of shame.
Hyacinthus: O calm my heart, cradle my head, for I am afraid.
Apollo: Why, what is wrong, my own dear lovely boy?
Hyacinthus: You move so fast love, that my poor feet will never keep up to you. I’ll be left behind.
Apollo: I had forgotten you were human. Beat calmer, heart of flesh; poor mortal sweet.


Apollo: Come here. My strength I’ll gentle, not to crush your weakness. Harm will never come to you while you are in my arms. I know I must take care with you. Why are your eyes shut? Is my face too bright?
Hyacinthus: No. I am sad; I don’t know why. The air is bearing down on me, and the grasshoppers whine like a headache coming on. I wish it would rain!
Apollo: It is not right for such a lovely face to look so dismal. Just say the word, and we’ll go anywhere you like.


Geography song

Apollo:
I’ll open up my treasure-box of lands, and you can count the cities up like precious stones;
In this one sea alone, just count the islands: see how they sparkle like foam.
Seek out some nest, my soft seabird, or roam
the waves from harbour rocks to beachy sands,
making each new spot in turn your home.
I know you like buildings, and books:
Th’Egyptians have wonderful architecture;
libraries; sphinxes; colossi that moan in the dawn;
But their river (tho' noble) is sluggish and green
and their weather too dusty and hot — I prefer
cooler climes. Do you like to look
down from great heights? There are views to be seen.
Listen! I know of a plain
where long ago, people gathered to build.
With stout ropes, they herded huge stones to the spot:
A feat great as the Pyramids, surely! For though
not so high nor so straight as your temples, the rock pillars loom to this day where those old folk set them;
and still each year I pierce that hall to the heart.
Further west? Everywhere I am welcome,
No passport required. New York hiding in fog and smoke
boasts not to sleep, but when I step ashore
I can see how I’ve been sorely missed, for the people
all rub their eyes, newly-awoken, surprised;
What is their neon dark,
compared to my gold on the leaves in the park?
Or if you prefer a crisper clime
Take in Canada’s sharp outlines;
Bright and hard as its stones is the air
off the seas and the rivers and lakes. You can see
in the cities, the mountains. The breeze
from the high tundra colours the cheek
of Ontario peach and Annapolis pear.
On an island live strange birds, and tortoises
as big as mixing vats or banquet dishes.
I shine on them, receive their wordless homage, for
’tis what you humans call deserted —
but you could be the first man if you wish,
As ’tis with you and you alone
the time I’d while away, in any jewelled garden on the whole Earth’s jewelled isle.


Hyacinthus: It’s not that I’m ungrateful to you, but
there are some things immortals just can’t know.
You don’t understand —
Time’s not the same for me as ’tis for you.
The clock that ticks inside me will ring out
no matter the land.
I have no demand.

Apollo: No demand? I command, I entreat you to ask for a wish. Where’s the task
I would not do for you? I must make you some gift,
little butterfly — lift up your eyes and take heart. Ask me.
Why won’t you ask?

Hyacinthus: (aside) This is what I saw. This morning, I knew, would be our last.
(aloud) And what would I ask for?
You’ve always said you wouldn’t want me any other way —
And I don’t want a change;
what’s left, I pray?
I don’t want toys. It only shames us both for you to offer them. I just love you.
Please just love me.
Let’s forget. Life’s too short
for this sort of mistake. No, it’s a fine day for...
for sport.

Apollo: Dear simple Hyacinth!
Is that all you want? Your wish is my command, my child.
Shall I show you how to throw the discus?
For I know your heart is mild;
you’d rather play at hunting prey of bronze than shoot the wild deer.

Hyacinthus: (aside) I know what you’re all thinking:
"Why not ask for immortality, little fool?” But you see, I know him — while he knows so much, he forgets. I’m a mortal, and know the rules.
The luckiest man in the world can have life, or youth — not both. It’s not a choice I’m keen to make: To be Endymion, beautiful sleeping piece of meat? or Tithymus, dead stick with a soul inside? Besides, he’d get bored. The gods cheat on each other; no blame, so do we, often, and we live only a few dozen years with our loves. No, I’ve made up my mind: I’ll take as much happiness with him as I may, and never grudge my fate.

The Death of Hyacinthus


Hyacinthus: (struck by the discus): O red!
I’m not drunk, so why
does my head
turn round so heavily
and my
sight spin a spiderweb
over my eyes
and I’m lying on the ground
and each sound
is magnified
thousands of times
My heart clutches as it climbs
and the breath in my throat
stops solid and still,
as the colours so shrill of the world strike the light’s note
my watery limbs float away…
O my flying eyes!
O the veins in my wings sing!
(Dies.)

Apollo:
Please O please darkness let me mourn
in black; should’ve been the night sky
I should’ve been the moon, curled-up stillborn
In darkness I wouldn’t have seen him
And I
wouldn’t have loved,
wouldn’t have seen him die.

No breath, no more a breath, no
pulse, no tremor, no sighs, not a thread
of air, never an eyeball’s flicker or
a heartbeat’s stammer. Summer’s cut
at the root and severed.

O he was life itself! You glutton, death, you swallower,
to take the whole warm world
in one gulp. Lick your lips
and smile, and lap me up too, eclipse,
before I take another breath...


Apollo's Song

I never saw you; never saw you, dear.
I was dazzled by your looks as by a mirror.
All-seeing, I — I never thought of what might lie
behind your pretty shining eyes.
You reflected.
I did not.
Pinned down with lofty speech, I thought I had you where I knew the angles, called the shots —
Glare blinded me. My aim was off, untrue. I fixed my eyes and I broke you.

Finale

Apollo:
Your path has curved away from mine,
you spiral into blackness like a spark;
while I must keep my circle’s course,
and never know the dark.

I cannot follow on that path.
I must stay here and keep the watch’s light,
through rounds of tired revolving days
till I catch up the night.

The prisoner blood within you, love,
I freed, albeit most unwillingly.
It wriggles bright across the ground,
escapes into the leaves.

While I lie bound in my own rays,
Outstripped by your emancipated hour,
I’ll spend my hard eternity
in mourning for a flower.

The End

...So have some Lorenzo de Medici, featuring Bacchus and friends, c/o three different translators. ( Read more... )

Not getting picked for the jury last month means I missed this guy's testimony.

Boing Boing does a piece on Gerard de Nerval, asking "Did he really take a lobster for a walk? And if not, what was it a metaphor for?" Good article, though reading through the comments, I agree the OP's responses to apparently honest questions are uncalled for. I suppose it might be a case of "got trolled too often, now has a hair trigger." I admit I have too much experience with lobsters to believe de Nerval could have kept one alive for long.

I was going to post my morning commute in point form, as noted in my phone's text-message function, but it turns out when I thought I saved it I didn't, so only Don will get to be mystified by my abbreviated spellings. However I think I can remember the haiku that was part of it:

2 sunny a day --
change regular specs for shades;

world is now lo-res.

...sending out spam, apparently. (warning - contains vulgar language, of the sort you see every day when you check your e-mail...)

Somewhere there is a town called Nôtre-Dame-de-Ham (seriously, that should be the title of a Mark Ryden painting); and am I the only one who finds it evilly amusing that Émile Nelligan, gloomy-Symbolist/Decadent-went-nuts-when-he-was-nineteen-poet, has an elementary school named after him?

Truly a province of wonders.