Continuing to work my way through Craig Rice’s Jake Justus/Helene Brand/John J. Malone novels. Read The Wrong Murder and then went straight on through The Right Murder, as these really make one two-volume novel.
The Wrong Murder begins with the stabbing death of an unidentified man, on the busiest corner in Chicago, in the middle of a crowd of Christmas shoppers. It’s relentless and atmospheric and if this book were a movie it likely would have been done in one long tracking shot to rival the opening of Touch of Evil.
We then jump back to the previous day, and Jake and Helene’s wedding reception. We meet Helene’s father, George Brand, and boy did the apple not fall far from the tree. Most of the other guests seem to be people from George's social circle, including Mona McClane, flamboyant millionairess and adventurer, who suddenly wonders out loud how it would feel to murder someone, noting that it’s one of the few things she hasn’t done or experienced. Soon enough she’s made a bet with Jake to murder someone “who won’t be mourned” in broad daylight, and in front of witnesses. If he can prove she did it, he wins her fashionable nightclub, the Casino. Jake, newly married, out of a job since his client Nelle Brown left radio for Hollywood, and more than a little insecure about his ability to support Helene, takes Mona’s bet.
Jake's also quite drunk, but that’s the normal state for most characters in these books. Rice uses it as a plot driver sometimes, to explain them making rash decisions, or to keep them from recalling a clue from earlier until she needs them to. The plot is appropriately bonkers, we meet gangster Max Hook for the first time (he gets mentioned a lot in the short stories), and SPOILER after the murder is solved, it turns out the story is far from over.
The Right Murder picks up the tale a few weeks later, and continues to explore Malone’s character. By this time it’s very evident that emotionally at least he’s the third partner in this marriage—while Jake and Helene are away on their honeymoon they fight and Malone falls into a depression, only broken by a man staggering up to him in Joe the Angel’s City Hall Bar two minutes before midnight on New Year’s Eve and shoving a mysterious key in his hand before falling down dead from a knife wound.
Malone’s only been embroiled in this new murder mystery for about twenty-four hours when Jake and Helene return, separately; both equally determined to prove themselves to each other by winning Mona’s bet. Malone finds himself helping both investigate, while trying to keep them away from each other. Luckily this state of affairs doesn’t last too many chapters before they run into each other and reconcile, and the reunited trio can get to work on this affair in which multiple men named Gerald Tuesday have been bumped off while trying to get in touch with Malone, and Mona McClane has a houseful of guests who mostly aren’t what they seem.
I like the way this series gradually deepens, emotionally, while continuing to serve up fast-paced screwball plots. The Right Murder came out before Pearl Harbour, but the War in Europe is already affecting the plot, and I'm curious to see if this continues in the next book.
The Wrong Murder begins with the stabbing death of an unidentified man, on the busiest corner in Chicago, in the middle of a crowd of Christmas shoppers. It’s relentless and atmospheric and if this book were a movie it likely would have been done in one long tracking shot to rival the opening of Touch of Evil.
We then jump back to the previous day, and Jake and Helene’s wedding reception. We meet Helene’s father, George Brand, and boy did the apple not fall far from the tree. Most of the other guests seem to be people from George's social circle, including Mona McClane, flamboyant millionairess and adventurer, who suddenly wonders out loud how it would feel to murder someone, noting that it’s one of the few things she hasn’t done or experienced. Soon enough she’s made a bet with Jake to murder someone “who won’t be mourned” in broad daylight, and in front of witnesses. If he can prove she did it, he wins her fashionable nightclub, the Casino. Jake, newly married, out of a job since his client Nelle Brown left radio for Hollywood, and more than a little insecure about his ability to support Helene, takes Mona’s bet.
Jake's also quite drunk, but that’s the normal state for most characters in these books. Rice uses it as a plot driver sometimes, to explain them making rash decisions, or to keep them from recalling a clue from earlier until she needs them to. The plot is appropriately bonkers, we meet gangster Max Hook for the first time (he gets mentioned a lot in the short stories), and SPOILER after the murder is solved, it turns out the story is far from over.
The Right Murder picks up the tale a few weeks later, and continues to explore Malone’s character. By this time it’s very evident that emotionally at least he’s the third partner in this marriage—while Jake and Helene are away on their honeymoon they fight and Malone falls into a depression, only broken by a man staggering up to him in Joe the Angel’s City Hall Bar two minutes before midnight on New Year’s Eve and shoving a mysterious key in his hand before falling down dead from a knife wound.
Malone’s only been embroiled in this new murder mystery for about twenty-four hours when Jake and Helene return, separately; both equally determined to prove themselves to each other by winning Mona’s bet. Malone finds himself helping both investigate, while trying to keep them away from each other. Luckily this state of affairs doesn’t last too many chapters before they run into each other and reconcile, and the reunited trio can get to work on this affair in which multiple men named Gerald Tuesday have been bumped off while trying to get in touch with Malone, and Mona McClane has a houseful of guests who mostly aren’t what they seem.
I like the way this series gradually deepens, emotionally, while continuing to serve up fast-paced screwball plots. The Right Murder came out before Pearl Harbour, but the War in Europe is already affecting the plot, and I'm curious to see if this continues in the next book.