moon_custafer: sexy bookshop mnager Dorothy Malone (Acme Bookshop)
Is “stealing a traffic cone and taking it home” the direct replacement for “putting a lampshade on your head” as the trope for indicating that a Very Good Time was/is being had? They both have that feeling of performative drunken zaniness. OTOH, I think of the traffic cone as more of a UK and the lampshade as a North American thing; also the milieu is house-party vs. evening out bar-hopping with your mates— but that may simply reflect a shift in how and where social drinking happens. 

I haven’t seen the lampshade thing referenced in at least twenty years, except in the deliberately retro work of Shaggy or Ape Man or whatever he’s calling himself these days, but (thinks) it’s a present-tense way of indicating you’re tipsy, isn't it? You're doing it to amuse/annoy your fellow guests, and you leave the lampshade at your host’s house at the end of the evening. By contrast, traffic-cone stealing is more like bringing home <i>proof</i> of your evening out, even/especially if the only audience is your hungover self the next morning.

I might have my Hallowe'en costume sorted.

moon_custafer: neon cat mask (acme)
Full disclosure: I suspect that if my life were a movie, critics would be dismissing my character as just another Manic Pixie Dream Girl. Which sometimes leads me to ponder the trope -- one conclusion I've come to is that the MPDG tends to be identified based on her appearance rather than her story function -- which IMO means there's a lot of mis-identification going on.

If we agree that the MPDG's classic role is to get the uptight hero to relax and appreciate life -- then Ramona Flowers in Scott Pilgrim Vs. The World is the *opposite* of a MPDG -- her role is to make Scott grow up (for certain values of "grow up"). Also, she's dour rather than manic. But she's cute and "indie"-looking (related question which I don't currently feel qualified to get into -- are there any PoC MPDGs?), and therefore she gets held up as an example of the trope.

You know who I think is a prime example of the trope? Maude, in Harold and Maude. But she's seventy-nine. It might also be that it's an older movie; no one ever seems to cite all the heroines of 'thirties screwball comedy either (Katherine Hepburn in Bringing Up Baby? Now *there's* a Manic Pixie Dream Girl.) There might, however, be another reason why Maude doesn't necessarily ping as an MPDG, and it still has to do with her age. Having lived to seventy-nine -- and a quick, wordless moment also establishes her as a Holocaust survivor -- her love of Life can be read as read as the hard-won wisdom of someone who's gone through hell and come out the other side. Or as some form of PTSD. Either way, it's not naiveté. Basically, she's Yoda in The Empire Strikes Back.)

Which leads me to wonder about the male version of this trope, which I guess is The Wise Fool? Is he ok because he has no romantic entanglements and therefore can't be dismissed as just an adjunct to another character? Would a quirky female character be ok as long as the story revolved around her Fighting Crime or something, or would she then just get tossed into the drawer marked Mary Sue?

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