Arks

Apr. 1st, 2017 08:32 pm
moon_custafer: neon cat mask (Default)
 Browsing Youtube, I watched a couple of edits of The Nightwatch, the 2004 video piece in which artist Francis Alÿs released a fox into the National Portrait Gallery after hours (with the gallery's permission) and filmed its explorations with the location's CCTV cameras. The work was intended to be a statement about surveillance (the National Portrait Gallery wasn't terribly worried about the fox doing any damage, but they were the only ones willing to let their security cameras be used, because they don't hide their presence from the public like many other institutions do), but for most viewers the real fascination is watching a wild animal in a very human-centric environment. 

Recently I've seen a video of a stag in a cathedral. I wasn't sure of the reason for its presence -- a church once harboured a lioness in during Hurricane Ike, just as flamingos were placed in one of the Miami zoo's public washroomsfor safety in Hurrican Andrew. There were two videos of the event on Youtube -- the one posted in 2015 and logically the original, or closer to the original, had no music dubbed over it, just a repetitive squeaking noise -- machinery? Subsequent searching revealed it to be a test shot for another video piece, Furtherance by Leonora Hamill; the making-of video is here. I suppose none of these animals were truly wild -- the stag was apparently named Chambord, the fox Bandit, and the lioness Shackle. I don't know if the flamingos had names.
moon_custafer: neon cat mask (Default)
On the way back from some errands this morning, I passed a poster for a performance of Mozart's Requiem, so naturally my thoughts turned to Peter Shaeffer's Amadeus. Leaving aside the story's fictional nature, it's a well-told story, enough to make the central premise believable; but now, when I strip that premise down, I'm not sure I buy the idea of the protagonist being homicidally envious of a man who's had less material success than he has, but who he knows has more actual talent.

The character is psychopathic enough to kill out of jealousy at others' success, but philosophical enough to judge success on aesthetics rather than money or acclaim; and I'm not sure those two things go together very often.

To be fair, Salieri in the play starts out just trying to make sure Mozart doesn't get any good gigs, and then his obsession sort of gets away with him. Like I said, it's well-told enough to be plausible.

Profile

moon_custafer: neon cat mask (Default)
moon_custafer

May 2025

S M T W T F S
    12 3
456789 10
11 121314151617
18192021222324
25262728293031

Syndicate

RSS Atom

Most Popular Tags

Page Summary

Style Credit

Expand Cut Tags

No cut tags
Page generated May. 23rd, 2025 06:49 am
Powered by Dreamwidth Studios