moon_custafer: sexy bookshop mnager Dorothy Malone (Acme Bookshop)
This morning Andrew found 1970s tv adaptations of Farewell My Lovely (1975) and The Dain Curse (1978) on Tubi or someplace. The former was pretty good, although fairly substantial changes had been made from the Chandler novel, which disappointed me a little, as I’ve always liked the chaos of the original plot. Robert Mitchum’s always fun to watch, although slightly too old to be Marlowe in this story; Harry Dean Stanton by contrast is about sixty years younger than I’m used to seeing him; Charlotte Rampling does a good pseudo-Bacall and Jack O'Halloran (Zog’s cohort in Superman and Superman II) is quite affecting.

The Dain Curse, starring James Coburn, had good acting and production values, but about halfway through I began wondering if I was particularly stupid today or if the plot was particularly hard to follow. A few more scenes and it was clear that the dialogue was referencing major events we hadn’t seen happen, which is when Andrew checked IMDb and confirmed that this had originally been a six-hour mini-series, and the version we were watching was three hours, seven minutes.

It wasn’t just that half the footage had been dropped — I think the abridged version kept all the scenes in which a character spends several days detoxing from morphine, unless that sequence was even longer in the original; and while it was interesting to see the recovery process handled somewhat realistically instead of being skimmed over, that was a part of the plot that the re-editing could have afforded to shorten.

Instead, going by what I could infer from the courtroom scene at the end, they cut out the whole middle section of the story, including a marriage, a kidnapping and at least three or four murders — I’m still not sure whose blood was on the knife the heroine was found, and I think one of the victims was a character we never even met in this cut. Also the big villain reveal, and a subsequent further bombshell that might partly explain the motive, may have been foreshadowed in the original broadcast but they come out of absolutely nowhere here. We spent the courtroom scene yelling what?!
moon_custafer: neon cat mask (acme)
I must have bought Farewell, My Lovely at the Pulp Show this spring and forgotten about it until I picked it up and read it today. (Mild spoilers to follow)
Read more... )Cynical even for a Chandler mystery, it's pretty clear that no one really cares much about the initial crime because it was an African-American club shot up by Moose Malone, a white ex-con looking for the showgirl he'd been sweet on eight years earlier when the place catered to a different clientele. Marlowe's not even sure why he's looking for Malloy and Velma, except that he was there at the time and the police detective in charge isn't doing anything. Once sucked in, he takes even more physical punishment than usual: knocked unconscious three times, choked almost to death and shot up with various kinds of drug, it's amazing his brain still functions well enough to figure things out in the end. But then he has the typical low-level superpowers of a hardboiled private eye: he can keep going for a week on coffee, booze and his sense of curiosity. And the Chandlerverse does contain a few unexpected allies.

The plot in this one appeals to me as a sort of anti-conspiracy thriller: what seems like a huge, intricate scheme that goes all the way to the top of Bay City ultimately turns put to be a bunch of individual schemers, each trying to protect their own little racket. Even the local boss, when we finally get close to him, turns out to have the mayor in his pocket not so he can run Bay City, but because it's simpler than paying a bunch of lower-level authorities to leave his gambling operation untouched. There may be at least one plot hole here -- I can't recall if a clue that led Marlowe off on a false trail ultimately had any reason for existing, since it didn't fit into the final explanation. Ultimately it's the original question that turns out to be the significant one, all the way to the epilogue that allows the very thinnest ray of optimism regarding Velma.
moon_custafer: neon cat mask (Default)
Finished reading The High Window; Chandler continues to win at writing supporting characters. I think my favourite is the old elevator operator in the run-down office building.

The ending of this one is the nearest thing I've seen to a victory for Marlowe - most of the guilty who haven't been killed off by each other are still walking free, but at least he's rescued the innocent party from the whole mess. Also, I think he manages to avoid getting beaten up. Yay team Marlowe!

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