moon_custafer: neon cat mask (acme)
I followed a link to to what turned out to be a review of The Quiet Ones with the headline Aren't You Sick of Possession Movies That Always Look Like This? While it seemed an even-handed review of the movie, so far as I can tell without having seen it, I'm more interested in thinking about how possession movies might be done differently; but find myself mostly recalling ghost stories.

Fullcircle, by John Buchan, and A Wicked Voice, by Vernon Lee -- do treat possession in a more subtle way -- perhaps because ghosts are different from demons. Both have stories in which someone's personal tastes are insidiously manipulated from what they were; both have the problem that the change does not necessarily seem all that bad -- in Fullcircle, the people who move into the old house first become more sociable and less hippy-granola-ish, and then, o horror, they convert to Catholicism. In A Wicked Voice, the narrator is compelled the spirit of a castrato to compose Italianate neo-Baroque operas instead of the grim Wagnerian-inspired stuff that he wants to do; and is even more appalled that audiences are fool enough to like them (if he were living in our century, he'd probably use the term "sheeple.") Subtle possession is a good trope that can easily be done in by values dissonance.

Lately I've come across the reverse -- a cache of transformation-themed fetish stories that can mostly be summed up as "in which I become the man of my dreams." I call these the reverse because they're clearly meant as wish-fulfillment even though the situations would be horror to anyone who didn't have that specific kink (admittedly, that's pretty much the definition of kink). The one that I rather liked, The Top Hat, was also the closest to the type of possession stories described above: a man buys a pre-WWI hat and finds himself, over the following weeks and months, physically coming to resemble the Teddy-Roosevelt-esque gent who originally owned it (imagine The Case of Charles Dexter Ward if it were gay bear kink with a happy time-paradox ending).

Date: 2014-04-26 04:12 am (UTC)From: [identity profile] donald hutton (from livejournal.com)
There's a great bit in the Dr. Who novel "Terminus" where a Companion is pointing a blaster at the Doc and, having had enough experience with the phenomena to be a connoisseur, is critiquing her current Possession By An Alien Power.

"This one is *really* good. Most of these things are really ham-fisted but this one reminds me of being addicted to cigarettes. I keep on promising myself that I won't keep on betraying humanity but I look away for a second and "Oops!" I've done it again. I get to display a lot of initiative too. It didn't think that you were complex enough to be a problem but I insisted that you were going to end up being the major obstacle here: hence your presence in this trap."

"Not *complex* enough!"

"I know: clueless upper management. Isn't it always that way? At least this one delegates responsibility properly. Speaking of which: good-bye Doctor." [Pulls trigger on blaster. Cut to next chapter.]

Date: 2014-04-26 01:06 pm (UTC)From: [identity profile] moon-custafer.livejournal.com
Also in the voice-over commentary to "The Visitation" Janet Fielding comments on the mind control in that adventure being quite good for her character: "Normally they just make me go all blank, but this time I'm doing stuff -- this mind control is really working out for me."

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