Lots of scenarios, including a family reunion where I didn’t really know anyone, examining some white flowers growing by a wall, and various ghosts.
There was a bit where the new pop-culture test for sexism in a movie was “how many times do we see the main female character get in or out of bed?” I was upset by the premise that someone in bed was inherently titillating to the audience, or that it could never be depicted in a non-erotic way.
Then I was watching/experiencing the first episode of a new horror/supernatural anthology series, and thinking it had a parallel in my own past, because my family, when we lived in Japan for a while in the ‘eighties, had first moved into one house, found it “unsuitable” in some weird unspecified way, and then moved to the place that became our home for the rest of our time there.
I never found out where the ghost story went, plotwise, but the ghost had quite a specific and detailed identity—a British South African named Neil Dacre who’d died sometime in the early ‘sixties. I’m not sure exactly how he’d died, but it was after a somewhat tempestuous life, career, and marriage. He was just walking into the room—through a closed door—looking exactly like the framed black-and-white photo of himself (at a car rally or something, mouth open in a yell) that still hung on the wall.
Then I wokeup, and remembered there’d never been a “first” house, we’d lived in the same house the whole stay—the university provided accommodation to visiting professors.