(no subject)

 Years ago, I had one of those dreams where you remember your house has one or more extra rooms you never use. In this case, I was in another neighbourhood, at night and in the rain, and suddenly remembered I had another apartment nearby where I could stay the night.

I can't picture the place in any detail, but the architecture and decor were sort of 1930s-40s Modernist, with a melancholy yet comforting vibe. Recently it occurred to me it was like the Thorne Rooms' California Hallway, and also like some of Paul R. William's work. I think at the time I also identified it with the Hotel Central, Belem, described in the intro to Daisann McLane's Cheap Hotels.

I've never managed to conjure it up again, but when I can't sleep, I remind myself I own an Art Deco flat in my dreams.

(no subject)

 The other day I decided to spring for a couples' Royal Ontario Museum membership, so yesterday Andrew and I were able to take in the Tattoo show at the ROM. The ROM's regular exhibits are free on Fridays after 4:30pm, but not the special exhibits. I also admit I fancied the idea of being able to go to the concert in the members' lounge, but as it turns out, it's still a cash bar, and the music was... warblier than I'd been led to expect (they were supposed to be a blues band), so downstairs we went to see the tattoos, which was just as well, since we had just enough time to look at everything before closing time. 

Perhaps the most interesting exhibit was a case of letters from Sailor Jerry to Ed Hardy, discussing their art, Japanese tattooing traditions, also how busy Sailor Jerry was (he also hosted a radio show) and guys he'd worked with in the past. Couldn't help but notice that Sailor Jerry was much more formal in his hand-written letters than his typed ones. Perhaps the typed one was to someone else. It was in all caps and there was a lot of swearing.

"Tattoos" included a lot of new and old photos of people with tattoos, sketches and designs for tattoos, and several displays of body parts cast in silicon from live models, which were then tattooed with original designs commissioned for the show from the best-known tattoo artists working today. There was a touchable sample of the silicon "skin," which felt less realistic than it looked, and looked less realistic as a flat panel than as a body mould. I liked the Russian-Constructivist-influenced arm. The arm with the glow-in-the-dark tattoos in a maze-like design based on a swastika was... eerie. The text noted that the art was inspired by its pre-Nazi use as a positive symbol, but I can see why one would not want it in ink visible under normal circumstances.

An hour or so later I saw a post about the Razzouk family's tattoo shop, whose sign reads "since 1300," though I believe the hard documentation only goes back to 1600, and said "I think they were in that exhibit I just saw."

Next time, we check out the exhibit on bishonen in Japanese art.