Together with the shot I’m pretty sure they were setting up— the really low-angle one of Lohmann which everyone who reviews M mentions with a certain bafflement, because Lang doesn’t do anything by accident, but no one’s quite sure what the thematic significance of Otto Wernicke’s junk could be.
no subject
Together with the shot I’m pretty sure they were setting up— the really low-angle one of Lohmann which everyone who reviews M mentions with a certain bafflement, because Lang doesn’t do anything by accident, but no one’s quite sure what the thematic significance of Otto Wernicke’s junk could be.