2012-09-23

moon_custafer: neon cat mask (Default)
2012-09-23 06:34 am

Can't Sleep; Have Some Musings Instead

Remember that experiment from the '50s where the government gave a professional artist some LSD and asked him to draw portraits of the scientist conducting the experiment?

A modern performance/visual artist has apparently been conducting his own, much less controlled version. Brian Lewis Saunders has drawn a self-portrait every day for years. A series of these were done while under the influence of different substances both legal and illegal.

Looking them over, I suspect they are attempts to depict how each drug made him feel, rather than literal records of the experience -- while the style varies from picture to picture, only a few things (bath salts, Cephalexin, computer duster, Dilaudid, and PCP) actually seem to have impaired his coordination enough to affect his drawing ability. I suppose we also only have his word for it that he really did take all that stuff, though he claims it eventually impacted his health enough that he had to stop.

Also interesting to relate it to the famous sequence of Louis Wain cat drawings, which supposedly marked the progression of his mental illness, but which a more recent article points out are undated.

Full disclosure - as someone who has drawn various things in various styles at various times of her life, mainly while sober, I have an automatic suspicion and dislike of the reaction "woah, man, what was he on?!" that any piece tends to elicit when it isn't strictly Realist . I once spent a conversation at a party trying to convince someone that no, Lewis Carroll couldn't have been on LSD, as it was not discovered until 1949* (the Rev. Charles Dodgson may well have taken opium, but so did most Victorians - it was the Tylenol of the day - and very few of them went on to write classic nonsense literature).

* and despite its recent popularity as a plot device, ergot poisoning is not the same thing as an LSD trip; it's less likely to include hallucinations and way more likely to include nerve damage, gangrene and death.
moon_custafer: neon cat mask (covetin)
2012-09-23 03:43 pm

All Fall Down

After years of hearing about Sapphire and Steel, I finally got through the first story of the series, up in 18 parts on Youtube. The show ably works around the even-lower-than-Dr.Who effects budget -- it matters not a whit that our heroes are basically battling spooky music, lighting effects and video overlays (and at one point, a wind machine) -- but I'm not sure the story needed to be six episodes long, and the children, Rob and Helen, are a little too realistic, in that they're scared, not always very bright, and get tricked/possessed by the entities thinly disguised as their parents several times each.

I'm trying to headcannon that Rob falls for it the second time because (a) his resistance is wearing down, and (b) the fact he can actually *see* something that looks like his Dad (as opposed to earlier, when it was only his Mum's voice from behind a barred door) is overriding all other warning signs (deathly cold hands, not recalling his sister's name, generally making illogical statements). As for Helen, given that the actress' line readings and expressions didn't always match the situation, I half-suspected she was either mildly developmentally-disabled, or a willing accomplice to the extradimensional entities.

Of course, it's more likely the scriptwriter originally conceived the character as four or five years old, and the casting director picked a seven- or eight-year-old actress to avoid trouble with the labour laws.

I also think this story was probably an influence on Nu-Who's 'Night Terrors' last season; and a quick search confirmed I'm not the only one to see 'Gabriel and Tanith,' villains from the New Adventures novel Falls the Shadow, as basically an evil version of Sapphire and Steel, though visually they probably also owe something to Enlightenment* and Persuasion in 'Four to Doomsday.'

* And, falling sideways, S&S are sort of like benevolent (but still spooky) versions of the Eternals in 'Enlightenment.'